How does subtractive synthesis shape timbre in analog and digital synths?

16 Eyl 09:45

I’m trying to wrap my head around subtractive synthesis. Could someone break down how the basic signal chain—oscillator, filter, and amplifier—interacts to sculpt a sound’s timbre? Specifically, how do filter cutoff and resonance affect the harmonic content, and what role does the envelope play in shaping the dynamics? Any analog vs digital nuances? Would love to hear your explanations and tips.