Analog mastering process: how does it differ from digital mastering?

04 Eki 15:00

Many of us love the warmth of vinyl, but when it comes to mastering, the process can be quite different from the digital domain. I'm curious about the core principles that define analog mastering—such as tape saturation, hardware EQ, and signal flow—and how they influence the final sound compared to digital mastering techniques like loudness normalization and plugin processing. What are the practical benefits or limitations of each approach, and how do you decide which path fits a particular release?